Please follow along with me as I go through my final countdown for this “Anime Year in Review” series. So far I’ve focused on characters, but now I will focus on the shows themselves. I present to you what, in my view, where the Ten Best Anime Shows of 2011! Continue reading “Top 10 Anime Shows of 2011.”
As promised, here’s the next part in my three-part 2011 Anime Year in Review series. From the Top 10 Male Anime Characters of 2011 we now move on to the fairer sex, as we count down the Top 10 Female Anime Characters of 2011. As for why I’m promoting this with a Madoka Magica group picture, it’s because no fewer than 3 of these 5 girls made my Top 10 list, and the other 2 could be considered ‘honorable mentions’. To find out which three made it, and precisely where they finished, please read on! 😉 Continue reading “Top 10 Female Anime Characters of 2011”
Over the next few days, I intend to put up a series of blog entries here on Rabbit Poets, all with the goal of looking back on what proved to be a coolly captivating comeback year for anime. These blog entires will focus on the characters, and anime shows, that I felt contributed the most to making this one of the finest years of anime in recent memory. Please join with me as we take one last look at 2011, before we ring in the New Year of 2012. Continue reading “Anime Year in Review: Top 10 Male Characters of 2011”
2011 has been a really riveting renaissance year for anime, as we’ve seen anime Blu-Ray sales stunningly soar, and strong new offerings in the magical girl and sci-fi genres, both of which had badly needed some scintillating sparks to move them forward again. Perhaps no lone person has played a bigger role in this year of recovery for the anime world than Gen Urobuchi, and in this blog post, I will explore why he’s been received so well and been rather effective. Continue reading “Why Gen Urobuchi is taking the anime world by storm.”
In recently watching Blood-C Episode 11, and reading some viewer reaction to it, a certain fact became abundantly clear to me. That fact is that “Anime creators and writers have not adapted their storytelling approach for the TV Tropes era”. This is something I’ve suspected for awhile now, but Blood-C’s latest episode turned my suspicion into knowledge. So this blog entry is dedicated to exploring how to do effective plot twists in the TV Tropes era.
Now, before I continue, let it be said that this blog entry will include some spoilers. Most of these will only be implicit spoilers, however. Continue reading “How to do Plot Twists in the TV Tropes Era”
This isn’t a Steins;Gate Episode 22 review so much as its a broader commentary on a certain character type that Steins;Gate has done an exemplary job of portraying. That character type is the tsundere, displayed beautifully by one Kurisu Makise. In this blog, I will discuss how Kurisu has almost single-handedly rescued this character type from complete mendacity, and into something strikingly sincere. Continue reading “Steins;Gate : Keeping it Real”
Read through the first post on that anime thread carefully. Take particular note of Nichijou’s DVD sales figures. And let it sink in that these sub-1000 sales is for a Kyoto Animation anime.
Kyoto Animation pulling down fewer than a thousand DVD sales from Nichijou is truly a clamorously careering collapse for what previously seemed like the ultimate brand name in the industry. But due to that collapse, and the meteoric Madoka Magica rise, I would argue that SHAFT has now overtaken Kyoto Animation as the biggest and strongest name in the anime industry. In this blog, I will go on to explain how we’ve come to this point, and what it means for Kyoto Animation, SHAFT, and the anime industry as a whole. Continue reading “SHAFT overtaking KyoAni.”
gg subs (which I now think should stand for “Gregariously Guffawing” subs) recently released a sub of Hidan no Aria Episode 7. It was a rather original troll sub job. While I find it a bit bizarre just how much some anime fans like the concept of being “trolled”, I have to nonetheless appreciate how gg is taking advantage of such a trolling opportunity to engage in sharply slick satire.
At least, that’s how I perceived their Hidan no Aria Episode 7 sub job.
For there is principally one factor, and one factor alone, that makes it a troll sub: The fact that it is an entirely word-for-word literal translation. It hence is, I think, gg’s attempt to implicitly comment on a literal translation approach to subbing anime vis a vis a more liberal translation approach.
Well, since gg has thrown down a gregariously guffawing gauntlet here, I think it is only apropos that we humor them with a response, and that’s what this blog entry will attempt to do.
The nonsensical title is starting to make sense to me. That is if I stare at it and think about it really hard. But that’s what C does, it makes you think.
As I write this, we’re only a day or so away from the conclusion of a most marvelously memorable deconstruction of an anime genre. As such, I thought it might be interesting to look back on another such memorable deconstruction, that being the anime School Days.
But wait, you may be saying, School Days was a deconstruction?
Perhaps not intentionally, good reader, but I definitely think that one can interpret School Days as a deconstruction of harem anime, and here in this blog post, I will explain why.