Usagi Drop hasn’t put too much focus on Kouki so far. I actually was pretty ok with this, because I thought Kouki comes off more bratty than mischievous in the manga. And while he’s still a bit of a ragamuffin, the anime does a lot better job at giving him more depth and making him more likeable.
Kouki finds himself in a tough situation. Rin may not have her mother (or father, for that matter), at least Daikichi has been very attentive to her. While Kouki’s mom means well, she’s struggling a bit more than Daikichi in achieving a good work/life balance. In response, Kouki’s developed a bit of a devilish streak (although to be fair, I’m not pinning the blame completely on his parents, it’s probably also how he’s wired), getting trouble at school and whatnot. But we also see some of his more quieter moments – whether he’s solemnly gazing out the window as the last child left in daycare, or whether he returns to drawing after getting chided by Rin.
Gotta say I really loved this scene. Loved the playfulness, loved the background music. It had a whimsical kids being kids feel, in a Ghibli sort of a way. And maybe it was extra enjoyable seeing Rin abandoning her mature side to join in on the fun too.
The nuclear family isn’t something we’ve seen too much of in Usagi Drop (could we consider UD progressive for challenging the “typical” model of family that’s so prevalent and valued in Asian countries? I’ll leave it to the eloquent SnippetTee to investigate that), so the family scene with Daikichi, Rin, Kouki and his mom was a sweet scene. Doubtful that anything comes of Daikichi and Kouki’s mom considering we only have two episodes left, but the mix of Daikichi’s schoolchild-like crush on Kouki’s mom, and her constant state of mom-damsel-in-distress is a nice little combo.